DJ 味王 Weiwang

The Embargo of Silence is conceived and curated by Yuen Chee Wai. A concert built on a silent-disco sound system, it is heard only through headphones, by performers and audience alike. DJ 味王 weiwang, Lai Tsung-Yun (LTY) and Yuen Chee Wai play live, moving between improvised electronic music and DJ sets, while siloed within luminous scaffolds designed by DuckUnit.

It introduces a deliberately introspective mode of listening — one where sound does not announce itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listener’s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room. 

The choreography is both possessional and processional. No one can be sure what anyone else is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium, the embargo of silence.

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians LTY, DJ 味王 weiwang, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening — one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listener’s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room. This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium—the embargo of silence.