We essentially simulate a hotel in trial operation during the performance.
Laptops serve as resting areas where we, day after day, browse various species and objects that transcend time and boundaries, forcibly inviting interesting ones to stay in. These could range from a celebrity to a vacuum cleaner.
No more than four rooms are available.
All types of rooms share a common characteristic: the turnover rate is high, and all sounds within the rooms are clearly transmitted to the lobby’s broadcasting system. Even the rustling of ear-picking will be fully amplified.
Guests do not take it as an offense. Afterall, they are invited for free.
Not to mention that it’s difficult to determine from which room comes the sound.
With this mindset, some guests begin to make a racket without restraint.
They even smuggle mathematicians and philosophers into the rooms.
At some point, the situation may start to spiral out of control.
We kindly ask for your understanding if it becomes a bit noisy on that day.
DEAN Chi-You is interested in dance music, computer music, and nature sounds. He attempts to instill notions of repetition, non-linearity, and synthesis in his work, which is mainly oriented around inde termination and not knowing. In addition to his personal creations, he also is passionate about sound-related projects and has been involving in recent projects such as Between II—Shyu Ruey-Shiann Solo Exhibition, Weightlessness Plan III – Folding Oscillation, Jamming with Archive: Re-coding and Transcending 1624—Taiwan and the World. Part of his works have been released online through Ting Shuo Hear Say – Three Places and the compilation Compassion through Algorithms.