Linné’s Shaman Drum
Linné, the father of modern taxonomy, possessed a shaman drum, which he carried with him wherever he went. Throughout the long history of science, there have always been scientists who, at some point in their careers, have been captivated by an idea that, from a secular perspective, contradicts established scientific principles. These individuals may explore the opposite side of science for various reasons: some seek personal amusement, others aim to infuse their work with an indescribable sense of magic, and some are driven by the belief that science can ultimately explain everything. However, many are motivated by the desire to draw inspiration from this “antithesis” and to open a window into the excessively rigid scientific community that can always justify itself.
I would like to discuss this aspect of scientific history, beginning with the shaman drum of Linné, the father of taxonomy.
HUNG Kuang-Chi
A researcher in the history of science from the Department of Forestry, currently serving in the Department of Geography, Hung takes great pride in having studied across all academic tracks at the university. He is also a drummer who, at times unwilling to stay out of the spotlight, rushes to the lead singer and spits fire.
LEE Chi-Chen
His many initiatives start from Butoh
Former Butoh dancer turned music design
Then become an intermediary existence
Music often works with physical performance
The sounds of vocals and instrumental music are combined with the body’s breathing
Lee Chi-Chen invests in the various possibilities of the human voice, get in touch with steppe nomads music and world music, and stirs up our own sound quality. Chi-Chen often creates music for Butoh performances, and gradually get used to sound possessing bodily elements, and the state of sound breathing together with one’s body. Sometimes he also works as a dancer, and sound is combined with the performance to respond to time and space.